Mar 28, 2024  
2011-2012 Undergraduate Bulletin 
    
2011-2012 Undergraduate Bulletin [ARCHIVED BULLETIN]

Radio, Television, Film Courses


Radio, Television, Film

Courses

Radio, Television, Film (RTVF)

  • RTVF 1 - Sound and Image Aesthetics

    Semester Hours: 3
    Fall, Spring
    This interdisciplinary course is designed to increase the student’s understanding of the way in which sounds and images communicate ideas. Through a study of perceptual principles, graphic design, photography, sound, and the moving image, students explore the underlying forms and processes of media. The development of a critical vocabulary and an analytical perspective and the opportunity to create various examples of sounds and images provide students with the background to pursue further studies in communication.



  • RTVF 10 - (AA) Introduction to Film and Television Study

    Semester Hours: 3
    Fall, Spring
    The basic language of filmic expression and the methodologies of film study, including their influence on television and video, are introduced through analysis of films and television programs. Emphasis is on ways of looking at films and television, the major concepts of theory, the various forms of film and television, and the techniques that determine visual styles.



  • RTVF 11 - History and Theory of Audio and Radio

    Semester Hours: 3
    Fall, Spring
    Introduction to the development of the radio industry, from 1919 to the present, focusing on managerial structure and philosophies, technological changes, programming formats, licensing, and national and international policies.



  • RTVF 14 - Media Production Practicum

    Semester Hours: 1-2
    Application of television and film production knowledge to pre-selected department and extracurricular productions. Students are required to be available for production work beyond scheduled class time.

    Prerequisite(s)/Course Notes:
    RTVF 26 and 44. Open only to B.S. in Radio, Television, Film majors. No liberal arts credit. Course is repeatable for credit; up to 6 s.h. to be applied to the B.S. degree. Pass/D+/D/Fail grade only. (Formerly AVF 14, Video Production: Practical Experience.)



  • RTVF 15 - Survey of Electronic Media

    Semester Hours: 3
    Fall, Spring
    An overview of today’s electronic media environment, While this course emphasizes broadcasting and cable, its scope includes newer forms of information and entertainment distribution technology and associated current issues. Students will develop critical awareness of the roles played by stakeholders such as the public, industry, and regulators in an environment of fast paced social and technological change.

    Prerequisite(s)/Course Notes:
    Admission to class by permission of department. May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 16 - Television Aesthetics and Criticism

    Semester Hours: 3
    Periodically
    This course is designed as an introduction to the analysis of television story-telling modes and strategies. Students will be taught the tools and concepts needed to disassemble television narratives as seen in the classical television series, sitcom, drama and contemporary reality television. Emphasis will be placed on developing a taxonomy of television programs through critical aesthetic theory, genre analysis, auteur studies and production studies.

    Prerequisite(s)/Course Notes:
    Admission to class by permission of department. May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 21 - Fundamentals of Radio Production

    Semester Hours: 3
    Fall, Spring
    Theories and practices of basic radio production. Course focuses on basic theories of audio and attributes of sound, audio board operations (both broadcast and production), radio production formats, microphones, analog and digital recording and playback equipment, and other broadcast studio standards. Students are required to be available for production and laboratory time beyond scheduled class time. 

    Prerequisite(s)/Course Notes:
    RTVF 1. No liberal arts credit. Admission to class by permission of department. Lab fees additional. (Formerly AVF 21, Fundamentals of Audio Production.)



  • RTVF 23 - Radio Reporting and Production

    Semester Hours: 3
    Fall, Spring
    This course focuses on the theories and practices of radio journalism and will introduce students to the basic skills of reporting and producing radio news. A wide variety of projects are intended to develop a student’s ability to produce, conceive and write radio newscasts, news wraps, and other radio news pieces of various lengths, including live spot reports and breaking news stories. The course is designed to get students to think comprehensively about radio news and informational program production, to understand that technical proficiency, thematic clarity and journalistic integrity go hand in hand in reporting and producing radio news. Outside reporting time is required, with projects to be produced for WRHU. 

    Prerequisite(s)/Course Notes:
    RTVF 21 or JRNL 15. No liberal arts credit. Admission to class by permission of RTVF department. Lab fees additional. Same as JRNL 25.



  • RTVF 24 - Introduction to Television: Multi-camera Production

    Semester Hours: 4
    Fall, Spring
    This course focuses on all facets of studio production with particular attention paid to the production process and creative expression. With a blending of theory and practice, students participate in television exercises and productions to learn the basic terminology, technologies, and positions associated with multi-camera productions for television and the Web. Students are required to be available for production work beyond scheduled class time. 

    Prerequisite(s)/Course Notes:
    RTVF l. Admission to class by permission of department. No liberal arts credit. Lab fees additional. (Formerly AVF 24, Fundamentals of Video: Studio Production; Fundamental of Television: Multi-camera Production.)



  • RTVF 25 - Introduction to Digital Media

    Semester Hours: 3

    Periodically
    Introduction to digital media theory, creation and application. Studies include repurposing and manipulating aural and visual materials, digital compression and fundamental online distribution.  Utilizing the HTVinteractive Web site as a distributive framework and using their own original video content, television students will work together and independently to develop and critique individual online projects. 

    Prerequisite(s)/Course Notes:

    RTVF 1  and 24  or 26  or 47 .  Admission to class by permission of department.   Lab fees additional.  No liberal arts credit. May not be taken on a Pass/D+D/Fail basis.



  • RTVF 26 - Introduction to Television: Field Production and Editing

    Semester Hours: 3
    Fall, Spring
    Introduction to digital field production and digital editing emphasizing the theories and concepts of production applicable on location. Studies include single camera techniques and post-production methods used to create documentaries, fiction, and educational programming. Students are required to be available for production work beyond scheduled class time.

    Prerequisite(s)/Course Notes:
    RTVF 1. No liberal arts credit. Admission to class by permission of department. Lab fees additional. (Formerly AVF 26, Fundamentals of Video: Field Production and Editing.)



  • RTVF 27 - Introductory Film Production

    Semester Hours: 3
    Fall, Spring
    Introduction to film production emphasizing the development of short narrative films and the use of principles of continuity filmmaking. Basic processes of how cameras work and how films are constructed from scripting through editing. Equipment is provided but students will have expenses for film and processing.

    Prerequisite(s)/Course Notes:
    RTVF 1 and RTVF 10. Admission to class by permission of department. Lab fees additional.



  • RTVF 34 - Foundations of Television and Web TV Writing

    Semester Hours: 3
    Periodically
    This course provides a general orientation into the process of writing for television and online media applications. It is designed for students who are beginning their study of the wide range of media forms and techniques available for distribution in network, cable, and non-commercial television, as well as in related, emerging Web TV media (through original programming as well as additive marketing partnerships and tie-ins). The class will also include a thorough examination of effective strategies to develop broadcast and online scripts and treatments that will effectively communicate a desired conceptual message to increasingly fragmented audience(s). Therefore, the course will provide students with an opportunity to write scripts and Web-distributed programming. This would include long- and short-form writing examples for (but not limited to): talk shows, children’s programs, game shows, episodic dramas, reality programs, situation comedies and commercials.

    Prerequisite(s)/Course Notes:
    RTVF 1  or permission of department chairperson. May not be taken on a Pass/D+D/Fail basis.



  • RTVF 40 - Fundamentals of Television Production

    Semester Hours: 3
    Periodically
    This course provides and overview of the television production process, including single- and multi-camera production. Students are introduced to basic terminology and positions associated with pre-production planning, production, and post-production editing. Students are required to be available for production work beyond scheduled class time.

    Prerequisite(s)/Course Notes:
    RTVF 1. Admission to class by permission of department. No liberal arts credit. Lab fees additional. Open to nonmajors only. (Formerly AVF 40, Television Production.)



  • RTVF 41 - Radio Feature Reporting and Production

    Semester Hours: 3
    Fall, Spring
    Through the application of theories and practices of radio feature reporting and production, students produce layered radio reports appropriate to a variety of formats. Students gain competency in pre-production planning and researching, field production, interviewing, and post-production, including writing and editing scripts, familiarity with emerging technologies and techniques, and mastery of digital editing and multi-track digital mixing. Projects include the conception, writing, and production of radio news feature stories, and creative audio pieces, many of which will be broadcast on WRHU. Students are required to be available for production and laboratory time beyond scheduled class time.

    Prerequisite(s)/Course Notes:
    RTVF 21. No liberal arts credit. Same as JRNL 26. Admission to class by permission of RTVF department. Lab fees additional. (Formerly AVF 41, Intermediate Audio Production.)



  • RTVF 42 - Radio Magazine Production

    Semester Hours: 3
    Spring
    Through the application and theories of audio production and contemporary radio programming, students conceptualize and produce a broad array of magazine programs reflecting the various formats of today’s diverse radio market. Combining hands-on practical exercises, in-field production work, and critical listening projects, students gain competency in the many areas related to the production of short- and long-form radio magazines. Students develop a thorough understanding of the links between distinct radio program formats, station marketing and target audiences. Projects include the production of radio interviews and live-talk segments. Students will rotate in their roles to give them a taste of the elements of successful radio magazines. Students must be available for production and laboratory time.

    Prerequisite(s)/Course Notes:
    RTVF 21 or JRNL 15 or by permission of RTVF department. No liberal arts credit. Same as JRNL 27. Lab fees additional. (Formerly AVF 42.)



  • RTVF 43 - Radio Station Imaging and Production

    Semester Hours: 3
    Fall
    This course focuses on the theories and practices of radio station imaging and production.  “Station imaging” and “creative enhancement” are general terms used to describe the elements produced internally by a radio station to promote and/or market itself.  Imaging is both an internal promotional approach, and an external marketing strategy, that refers to how a broadcaster positions its radio station within the marketplace.  Through classroom lectures, practical studio production work, and a broad array of assignments and readings, students will become familiar with the technical terms and strategic practices associated with radio station imaging.  Students will gain the skills necessary to create radio “sweepers,” music menus, and “promos” for shows, special events, and contests.  The course is designed to give students a critical appreciation for how audio elements create a particular effect, and to understand how writing and editing play a role in shaping perceptions of the listener.  Other topics include copyright restrictions, acquiring music and sound effects for productions, and developing image campaigns.  Students will produce all of the projects on advanced digital production software. 

    Prerequisite(s)/Course Notes:
    RTVF 21  or by permission of department. No liberal arts credit. Lab fees additional. May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 44 - Advanced Television Technologies

    Semester Hours: 3
    Fall, Spring
    Training and practice with advanced television equipment consistent with current industry standards. Students will study basic engineering theory and investigate and practice core technical areas. This course provides technical preparation for intermediate and advanced television and online production work. Students are required to be available for production work beyond scheduled class time.

    Prerequisite(s)/Course Notes:
    RTVF 24. No liberal arts credit. Admission to class by permission of department. Lab fees additional. (Formerly AVF 44, Advanced Facilities Training.)



  • RTVF 47 - Intermediate Film Production

    Semester Hours: 3


    Fall, Spring
    Advanced concepts of film production are practiced through the production of short films. Each student produces a short sound film. Color negative film stocks, multiple sound tracks and computer-based nonlinear editing is introduced.

     

    Prerequisite(s)/Course Notes:
    RTVF 27 . Admission to class by permission of department. Students are required to be available for production and laboratory time beyond the scheduled class time. Equipment is provided but students will have expenses for film and processing. Lab fees additional.



  • RTVF 60 - Documentary Film and Video Production

    Semester Hours: 3


    Fall, Spring
    Students explore various story-telling approaches in documentary filmmaking through creating production projects focusing on social, political, cultural, and personal themes. Working individually or in groups, students are guided through the conceptual and technical skills required to produce a short documentary.

     

    Prerequisite(s)/Course Notes:
    RTVF 26  or 47 . Admission to class by permission of department. Equipment is provided but students are responsible for additional production expenses. Lab fees additional.



  • RTVF 61 A-Z - Radio Production Practicum

    Semester Hours: 1-3
    Spring
    Intensive examination and practice in specific audio production duties and responsibilities.  Possible topics include radio drama production, radio commercial production, audio production for the Internet and other digital distribution systems, and post-production sound design.




    Prerequisite(s)/Course Notes:
    Admission to class by permission of department. As each individual topic is selected, it is assigned a letter (A-Z) and added to the course number. Course may be taken a number of times as long as there is a different letter designation each time it is taken. No liberal arts credit. Lab fees additional. May not be taken on a Pass/D+/D/Fail basis. (Formerly Audio Production Workshop.)



  • RTVF 64 - Intermediate Television Production

    Semester Hours: 3
    Studies include script-to-screen production techniques in studio and location environments. Students write and produce original content within a wide range of television genres. The course combines professional production practices along with a digital post-production curriculum. Students are required to be available for production work beyond scheduled class time.

    Prerequisite(s)/Course Notes:
    RTVF 26 and 44. No liberal arts credit. Admission to class by permission of department. Lab fees additional. (Formerly AVF 64, Intermediate Video: Studio Production.)



  • RTVF 65 - Television Production Practicum

    Semester Hours: 1-3


    Periodically
    Intensive examination and practice in specific production duties and responsibilities. Possible topics include directing, associate directing, stage managing, and talent makeup.

    Prerequisite(s)/Course Notes:
     As individual topics are selected, each is assigned a letter (A-Z) and added to the course number. Course may be taken a number of times as long as there is a different letter designation each time it is taken. Admission to class by permission of department. No liberal arts credit. Lab fees additional.  (Formerly AVF 65 A-Z, Video Production Workshop.)

     



  • RTVF 66 - Television Lighting

    Semester Hours: 1
    Fall, Spring
    This course concentrates on the aesthetic and technical considerations of the art of lighting for location and studio television production. Students will analyze and practice fundamental lighting methods for the digital camera for various television genres. Students are required to be available beyond scheduled class meetings.

    Prerequisite(s)/Course Notes:
    RTVF 44. No liberal arts credit. Admission to class by permission of department. (Formerly AVF 66, Video Lighting.)



  • RTVF 74 - The Television Producer

    Semester Hours: 3
    Fall
    This course focuses on the role of the producer for television. Areas of study include concept research and development, budget and finance, writing and pitching proposals, planning pre-production, production, and post-production, and distribution. Emphasis is on the producer’s ability to guide the concept and story development of television genres through leadership, vision and creative originality. Course highlights ethics, responsible decision-making, critical thinking, organizational skills, initiative and resourcefulness.


    Prerequisite(s)/Course Notes:
    RTVF 24 and 26. No liberal arts credit. May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 80 - Experimental Film and Video Production

    Semester Hours: 3
    Fall, Spring
    Students produce and direct individual or group projects that explore issues of non-narrative and other experimental, self-expressive forms. Emphasis is on experimental combinations of image and sound and alternatives to classic Hollywood style. Equipment is provided but students will have expenses for videotape and film processing.

    Prerequisite(s)/Course Notes:
    RTVF 26  or 47 . Admission to class by permission of department. Lab fees additional.



  • RTVF 84 - Alternative Video Production Techniques

    Semester Hours: 3
    January
    Various theories and demonstrations of the alternatives to live, on- tape production techniques. Evaluations are made of the different methods and their best use. Written analyses of current broadcast and nonbroadcast methods are required.

    Prerequisite(s)/Course Notes:
    RTVF 44 . No liberal arts credit. admission to class by permission of department chairperson. Lab fees additional.



  • RTVF 85 - Television Sports Reporting and Producing

    Semester Hours: 3
    Fall, Spring
    Students will report, shoot, write and edit stories about sports events and figures, primarily on the Hofstra campus. The focus will be on developing story ideas and then producing television sports features and profiles as well as providing game coverage. Students will also be required to assist in the production of the sports segment of a weekly newscast.)

    Prerequisite(s)/Course Notes:
    RTVF 64  or JRNL 16 . Lab fee additional. Same as JRNL 74 . May not be taken on a Pass/D+/D/Fail basis. (Formerly AVF 85.)



  • RTVF 90 - Acting for the Camera

    Semester Hours: 3
    Periodically
    This course focuses on the processes and techniques used in preparing and acting in front of the camera. The course includes individual and group scene study, single- and multi-camera production techniques, and critical text analyses. For students planning to work as actors, this course provides insights into working with directors and within a “camera” environment. For students planning to work behind the camera, this course provides useful insights for working with actors. Substantive written critical evaluations are required. Students are required to attend rehearsals and production calls outside of scheduled class hours.

    Prerequisite(s)/Course Notes:
    RTVF 24. Admission to class by permission of department. Same as DRAM 169A. (Formerly AVF 90; Acting for Television and Film.)



  • RTVF 91 - Radio Announcing

    Semester Hours: 3
    Theories and practices of multiple radio announcing formats. Course includes analyzing, scripting and performing the following: dramatic productions, various DJ formats, news, commercial, and noncommercial spot reads. Content includes audio applications from broadcast radio to podcasts.

    Prerequisite(s)/Course Notes:
    RTVF 21. Admission to class by permission of department. No liberal arts credit. (Formerly AVF 91, Audio Announcing.)



  • RTVF 94 - Television Performing

    Semester Hours: 3
    Once a Year
    This course emphasizes the development of the student’s on-camera “personality” and rhetorical talents through presentations of newscasts, sportscasts, interviews, panel discussions and other television forms. Presentations are recorded, analyzed and critiqued by instructor and peers.

    Prerequisite(s)/Course Notes:
    No liberal arts credit. Admission to class by permission of department. (Formerly AVF 94.)



  • RTVF 100 - Principles of Digital Editing

    Semester Hours: 3
    Periodically
    A post-production course introducing television and film students to the theories and concepts of digital nonlinear editing using Avid and/or other digital editing systems. Through screenings, lectures, discussions and demonstrations, students learn basic editing concepts, styles, and methods of accomplishing various editing tasks.

    Prerequisite(s)/Course Notes:
    RTVF 26 or 47. No liberal arts credit. Admission to class by permission of department. Lab fees additional. (Formerly AVF 100, Principles of Nonlinear Digital Editing.)



  • RTVF 104 - Television Graphics

    Semester Hours: 1
    Fall, Spring
    This course focuses on the artistic elements, design factors, and impact of television graphics. Study of advanced operation and production techniques involved in the design and creation of computerized graphics for television.

    Prerequisite(s)/Course Notes:
    RTVF 44. No liberal arts credit. Admission to class by permission of department. (Formerly AVF 104, Video Graphics.)



  • RTVF 106 - Advanced Television: Post-Production

    Semester Hours: 3
    Once a Year
    Examination of the creative techniques, technological approaches, organizational structures, and workflows associated with high-end digital post-production. Emphasis on the use of digital editing systems to facilitate creative decision-making processes. Study of how editing choices influence the way viewers perceive programming in a number of television genres. Students are required to be available for editing sessions beyond scheduled class meetings.

    Prerequisite(s)/Course Notes:
    RTVF 64 or permission of instructor. No liberal arts credit. Admission to class by permission of department. Lab fees additional. (Formerly AVF 106, Advanced Video Editing.)



  • RTVF 107 - Cinematography and Lighting for Film

    Semester Hours: 3
    Fall, Spring
    This course combines the theoretical and practical elements of cinematography and lighting. While learning the techniques of studio and location lighting, students also study historical and contemporary trends and styles. Students learn how to visualize the script and light for the actors. Film emulsions, exposure, filters, camera placement, composition, movement, and continuity will be covered. Emphasis is placed on the importance of light to telling a story. Practical tests and scenes are shot on 16mm film stocks.

    Prerequisite(s)/Course Notes:
    RTVF 27. Admission to class by permission of department. Lab fee additional. No liberal arts credit.  May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 110 - Introduction to Screenwriting

    Semester Hours: 3
    Fall, Spring, Summer
    This course introduces students to the basic principles of telling stories for the screen with an emphasis on concept development and the crafting of original ideas, as well as the structural foundations of premise, character and plot. Students will learn formatting, treatment writing, and become familiar with indistry-standard scriptwriting programs. The course will culminate in the completion of a polished short screenplay.




    Prerequisite(s)/Course Notes:
    RTVF 10 . Admission to class by permission of department. (Formerly Film and Television Writing: Theory and Application.)




  • RTVF 111 - Writing for Radio

    Semester Hours: 3
    Fall
    This course covers writing for various radio formats, including news, commentary, feature writing, drama, commercial and noncommercial spot writing, and interactive audio applications, such as podcasts.

    Prerequisite(s)/Course Notes:
    WSC 1, 2 and RTVF 21. Admission to class by permission of department. (Formerly AVF 111, Writing for Audio.)



  • RTVF 114 - Advanced Television Writing: The Sitcom

    Semester Hours: 3
    Periodically
    This course provides students with an opportunity to develop and write a sample script for an established program as well as a script for an original program. To deepen and contextualize the student’s knowledge of this genre, the course analyzes a series of classic radio and television programs spanning more than five decades. Students participate in the brainstorming of script ideas, analyzing and rewriting of early drafts, creating show rundowns and outlines, and polishing dialogue and characterization. At the heart of this collaborative writing process lies the most critical responsibility of a professional television writer—listening and providing feedback to other writers, pitching original story ideas, and the craft of collaboration to solve story problems.

    Prerequisite(s)/Course Notes:
    RTVF 24 , 26  and 34 .   Permission of department chairperson. May not be taken on a Pass/D+/D/Fail basis.
     



  • RTVF 118 - Advanced Screenwriting I

    Semester Hours: 3
    Fall
    This course will focus on the process of writing a feature-length screenplay. Students will learn how to develop ideas, pitch them effectively, and use the elements of premise, character, and plot structure to tell their stories. Students will develop their concepts, write both long and short treatments, create a detailed scene outline, and complete the first act (about 30 pages) of their original feature-length idea. Upon successful completion of the course, students may register for RTVF 119  and complete their full-length screenplay.

    Prerequisite(s)/Course Notes:
    RTVF 110 , or permission of the department. May not be taken on a Pass/D+/D/Fail basis. (Formerly Screenwriting 1.)



  • RTVF 119 - Advanced Screenwriting II

    Semester Hours: 3
    Spring
    In this course, students complete the feature-length screenplay they began in RTVF 118  by first re-examining and revising what they have written. They then continue to finish a complete first draft followed by a polished second draft. While writing, students will further their storytelling skills and deepen their understanding of premise, character, and plot structure through lectures, readings, screenings, and in-lass critiques. Students will also master script formatting with industry-standard software, writing a compelling treatment, and giving a professional pitch.

    Prerequisite(s)/Course Notes:
    RTVF 118  or permission of the department. May not be taken on a Pass/D+/D/Fail basis. (Formerly AVF 117; RTVF 117, Advanced Screenwriting; Screenwriting 2.)



  • RTVF 120 - Sound Design for Film

    Semester Hours: 3
    Fall, Spring
    This class will explore sound design from historical, technological and practical perspectives. Examples of professional sound design will be screened to give students the opportunity to learn from the work of classic and contemporary filmmakers.  Screenings will be related to the development of their own work through discussion, analysis and consideration of technical and creative choices made by filmmakers to achieve their goals as storytellers. Students will be introduced to the tools of the sound designer though lectures and by participating in numerous exercises, quizzes and projects. They will become experienced with the theory and profession of creating sound for film from the conception stage, through the recording and initial editing, and to the final mix of their projects. By becoming familiar with, and using the tools of the sound recordist/designer (microphones, recorders, pro-tools) in practical and creative ways, students will gain a familiarity and confidence in the process that will be carried into their professional careers.  

    Prerequisite(s)/Course Notes:
    RTVF 21  or 47 . No liberal arts credit. Lab fees additional. May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 129 - Script Analysis

    Semester Hours: 3
    Periodically
    This course will explore the art and craft of screenwriting through an in-depth analysis of dramatic structure by studying predominant theories and applying them to professional screenplays. By the end of the course, students will be familiar with premise and meaning, character development, effective use of dialogue and imagery, genre, and act-structure and come away with an understanding of story that will strengthen their skills in all areas of filmmaking.
     

    Prerequisite(s)/Course Notes:
    RTVF 10 . May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 131 - Contemporary Issues in Radio Broadcasting

    Semester Hours: 3
    Periodically
    An examination, using concepts of cultural studies, of the major social, economic, and political developments shaping the radio broadcasting industry today. Through analysis of historic and current radio programs, the Internet, and books and periodicals, students explore issues such as globalization, consolidation, technological convergence, ownership and programming content, representation, and the future of radio.

    Prerequisite(s)/Course Notes:
    RTVF 1 or permission of department.



  • RTVF 134 - The Television Industry

    Semester Hours: 3
    Spring
    This course focuses on the principles and practices of the television industry, including broadcast, cable, satellite, and online. It examines the management structures and ownership patterns of electronic media while exploring program and audience research, syndication, promotion, industry trends, legal, ethical, and social issues faced by media organizations.

    Prerequisite(s)/Course Notes:
    RTVF 1 and 15. Admission to class by permission of department. No liberal arts credit. (Formerly AVF 134; Producing and Television Programming.)



  • RTVF 137A - Film History

    Semester Hours: 3
    Every other year
    The development of the motion picture from its origins in the 1890s to the present. The courses confront the issues of world cinema and the historiography of film as seen in the aesthetic, social, economic, and technological forces that influence the development of movies. 137A deals with approximately the first half of film history.

    Prerequisite(s)/Course Notes:
    RTVF 10.



  • RTVF 137B - Film History

    Semester Hours: 3
    Every other year
    The development of the motion picture from its origins in the 1890s to the present. The courses confront the issues of world cinema and the historiography of film as seen in the aesthetic, social, economic, and technological forces that influence the development of movies. 137B deals with approximately the second half of film history.

    Prerequisite(s)/Course Notes:
    RTVF 10.



  • RTVF 138 - Film Adaptation

    Semester Hours: 3
    Periodically
    Study of the theory, history, and aesthetic and social consequences of adapting literature, drama, or other art forms for the screen. Analysis of how form and narrative are affected by the medium of their presentation as seen through selected stories, novels, plays and films.

    Prerequisite(s)/Course Notes:
    RTVF 10 .



  • RTVF 139 - Film Theory

    Semester Hours: 3
    Periodically
    Study of the various theoretical approaches of how cinema relates to society and the individual. In addition to the classic film theories of Arnheim and Eisenstein, among others, and Bazin’s and Kracauer’s concepts of film realism, the course confronts issues such as Marxism, feminism, and structuralism and introduces new theoretical concepts as they develop.

    Prerequisite(s)/Course Notes:
    RTVF 10.



  • RTVF 144 - Television Directing

    Semester Hours: 3
    Fall
    The art and style of the television director and the processes involved in producing a television program, from basic concept to final production. Emphasis on creativity and leadership essential to the making of any television project. Students are required to be available beyond scheduled class time.

    Prerequisite(s)/Course Notes:
    RTVF 64 or 84. Admission to class by permission of department. No liberal arts credit. Lab fees additional.



  • RTVF 145 - Advanced Television: Media Action Projects Hofstra (MAP Hofstra)

    Semester Hours: 3
    Spring
    Design and development of communication systems for nonbroadcast purposes. This course focuses on writing, researching, planning, and producing programs for nonprofit and community-based organizations with specific needs and audiences. Working with clients, students develop an understanding of how media productions can assist in community outreach and action.

    Prerequisite(s)/Course Notes:
    RTVF 64. No liberal arts credit. Admission to class by permission of department. Lab fees additional. (Formerly AVF 145; Non-Broadcast Video Production.)



  • RTVF 147 - Directing for the Screen

    Semester Hours: 3


    Periodically
    The film director’s creative vision provides the unifying principle in the process of making a film while he or she collaborates with the many creative talents involved in production. Directors need to know what story they want to tell and must understand the aesthetics and techniques that can be used to best convey that story to an audience. Students will perform exercises and create projects that focus on script analysis, cinematography, production design, working with actors, casting and editing. Students will also analyze the work of several directors through clips screened in class and through an assigned research paper.

    Prerequisite(s)/Course Notes:
    RTVF 10 , 27  and 47 . Admission to class by permission of department. May not be taken on a Pass/D+/D/Fail basis. Lab fees additional.

     



  • RTVF 148 - Producing the Motion Picture

    Semester Hours: 3
    Periodically
    This course is an examination of the methods and procedures for producing a professional motion picture. It focuses on all phases of the process, including financing, development, pre-production, production, post production, distribution and marketing. Students learn the principles and methods involved in screenplay evaluation, budgeting, creation of standard deal memos, negotiating union and non-union contracts, producing standard industry paperwork and accounting procedures. Students also explore strategies and parameters for negotiating foreign and domestic theatrical distribution, cable, Internet, music, DVD and auxiliary rights.

    Prerequisite(s)/Course Notes:
    RTVF 10 . No liberal arts credit. Lab fees additional.



  • RTVF 149 - The Art of Film Editing

    Semester Hours: 3
    Fall, Spring
    This course aims to instruct students in the advanced concepts, theories and aesthetics of editing through readings, writing and practical editing assignments. Since the film editor, along with the director, is a principal collaborator in the authoring of a film, the first part of this course will explore the way in which early filmmakers of the silent period developed a language and syntax for film primarily through the art of editing. In the second half of the course, students will learn how film language and syntax have a primary focus in the process of filmmaking, as the editor reconstructs the cinematic time and space that was fragmented by the method by which films are shot. Students will learn to use narrative editing strategies including rhythm, pacing, point-of-view, screen direction, matching cuts, script analysis and communication with collaborators. The course emphasizes filmic storytelling and the use of editing for narrative and expressive purposes. 

    Prerequisite(s)/Course Notes:
    RTVF 10 , 27  and 47 . Lab fees additional. May not be taken on a Pass/D+/D/Fail basis. May not be repeated for credit.



  • RTVF 150 - Independent Studies/Readings

    Semester Hours: 1-3
    Fall, Spring, Summer
    Individualized courses designed to fill gaps in the student’s knowledge of audio, video, or film.

    Prerequisite(s)/Course Notes:
    Permission of department chairperson. May not be taken on a Pass/D+/D/Fail basis. Ordinarily open to seniors in the Department of Radio, Television, Film who are exceptionally capable of independent work. Students majoring in the BA in Media Arts program should incorporate two or three areas studied within the discipline and should demonstrate the student’s ability to relate one discipline to another. Before registering for this course, the prospective student must find a member of the department who will agree, in writing, to serve as instructor.



  • RTVF 151 - Independent Studies/Readings

    Semester Hours: 1-3
    Fall, Spring, Summer
    Individualized courses designed to fill gaps in the student’s knowledge of audio, video, or film.

    Prerequisite(s)/Course Notes:
    Permission of department chairperson. May not be taken on a Pass/D+/D/Fail basis. Ordinarily open to seniors in the Department of Radio, Television, Film who are exceptionally capable of independent work. Students majoring in the BA in Media Arts program should incorporate two or three areas studied within the discipline and should demonstrate the student’s ability to relate one discipline to another. Before registering for this course, the prospective student must find a member of the department who will agree, in writing, to serve as instructor.



  • RTVF 152 - The Radio Industry

    Semester Hours: 3
    Spring
    A study of current principles and practices of radio programming, marketing and sales, promotions, and radio management for commercial and public radio. The course highlights organizational, technological, and ethical issues facing the radio industry today.

    Prerequisite(s)/Course Notes:
    RTVF 1 or by permission of department. Not for liberal arts credit. May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 157 - Film Genres

    Semester Hours: 3
    Once a year
    Studies of genre cinema emphasizing critical, historical, and aesthetic analyses of significant types of motion pictures. Possible topics include, but are not limited to: film comedy, the Western, melodrama, the musical, science fiction and animated film.

    Prerequisite(s)/Course Notes:
    RTVF 10 . May be repeated for credit when subject matter varies.



  • RTVF 158 - Film Authorship

    Semester Hours: 3
    Once a year
    Studies of the concepts of film authorship and the auteur theory as applied to the work of particular directors and other filmmaking personnel. Possible topics include the films of Hitchcock, Truffaut, Bergman, or Kubrick, among others; the star as auteur; and the producer or studio as auteur.

    Prerequisite(s)/Course Notes:
    RTVF 10. May be repeated for credit when subject matter varies.



  • RTVF 161 - Advanced Audio Production

    Semester Hours: 3
    Spring
    Theories and practices of advanced audio production techniques. Course includes conceptualizing, producing, directing, recording, editing and mixing multi-track audio projects. Students are required to be available for production and laboratory time beyond scheduled class time.

    Prerequisite(s)/Course Notes:
    RTVF 41; or permission of instructor. Admission to class by permission of department. No liberal arts credit. Lab fees additional.



  • RTVF 164 - Advanced Television Production I

    Semester Hours: 3
    Fall, Spring
    An advanced practicum dealing with creative production in aesthetic and technical phases. Students are responsible for all phases of producing a weekly television series.

    Prerequisite(s)/Course Notes:
    RTVF 64. No liberal arts credit. Open to juniors and seniors only. Admission to class by permission of department. Lab fees additional.



  • RTVF 165 - Advanced Television Production II

    Semester Hours: 3
    Spring
    An advanced practicum dealing with creative production in aesthetic and technical phases. Students are responsible for all phases of producing independent television programs of various genres.

    Prerequisite(s)/Course Notes:
    RTVF 164. No liberal arts credit. Open to seniors only. Admission to class by permission of department. Lab fees additional.  (Formerly RTVF 164 & 165, Advanced Television Production.)



  • RTVF 167 - Advanced Film Production

    Semester Hours: 3
    Fall, Spring
    Students participate in a group production of an original student-scripted film. In this course, evert phase from story conference through final-edited print will be covered. Emphasis on making aesthetic decisions in the creation of short narrative film. Each student will learn all functions of the film production process including cinematography, sound, and editing, but masters one during production and post-production. Equipment is provided, but students will be expected to cover expenses for all other aspects of production.




    Prerequisite(s)/Course Notes:
    RTVF 47 . Admission to class by permission of department. No liberal arts credit. Lab fees additional. May not be taken on a Pass/D+/D/Fail basis. (Formerly Advanced Film Production Workshop.)



  • RTVF 168A - Senior Film Projects I

    Semester Hours: 3
    Fall
    Approaching film as a unique means of aesthetic expression, students will begin the process of creating a short narrative film.  They will write an original screenplay and develop pre-production materials including a director’s statement, schedule and budget.  In addition, each student will be expected to achieve proficiency in key areas of film production including cinematography, sound recording and editing. 

    Prerequisite(s)/Course Notes:
    RTVF 47 , 110 .  Admission to class by permission of department. Lab fees additional. No liberal arts credit.  May not be taken on a Pass/D+/D/Fail basis. Note:  This course is the first half of a one-year sequence that continues with RTVF 168B  in the spring.  Credit for this course is only awarded upon completion of RTVF 168B .



  • RTVF 168B - Senior Film Projects II

    Semester Hours: 3


    Spring
    Students will continue the process of creating a short film, which began in RTVF 168A . In this course, students will direct, edit, and exhibit their film. In addition, they will be required to participate as part of the production crew for other class films. Equipment is provided but students will be expected to cover additional expenses for all other aspects of production.

     

    Prerequisite(s)/Course Notes:
    RTVF 168A . Admission to class by permission of department. Lab fees additional. No liberal arts credit. May not be taken on a Pass/D+/D/Fail basis. Note: This course may only be taken as the second half of a one-year sequence that begins with RTVF 168A  in the fall. Credit for RTVF 168A  is awarded upon sucessful completion of this course. (Formerly 168, Senior Film Projects.)



  • RTVF 170 - Internship Program

    Semester Hours: 1-3
    Fall, January, Spring, Summer
    An internship program provides an opportunity for students to apply their classroom experience to an appropriate professional work setting. Students work with an assigned faculty sponsor and an on-site supervisor. They work a requisite number of hours, keep a daily journal, and write midterm and final papers.

    Prerequisite(s)/Course Notes:
    Junior class standing; GPA of 2.5 or better overall, the successful completion of 12 s.h. in the major, of which 6 s.h. must be in residence; and an intermediate level course in major. Pass/D+/D/Fail grade only. Students must be approved for admission into the program before registering. Applications to the program, with information about deadlines, are available in the RTVF department office. May be repeated for a total of 6 s.h. RTVF 170 and RTVF 174 can be taken in combination for no more than 6 credits.



  • RTVF 174 - Advanced Video/Television Internship

    Semester Hours: 3
    An advanced video/TV production internship in which students apply concepts and knowledge acquired in the classroom to “real-world” production settings as chosen by the department. Each student works with an assigned faculty sponsor and an on-site supervisor as determined by the host organization. In addition, each student is expected to devote a requisite number of hours per week at the internship site, keep a weekly journal, attend weekly classes on campus, and write regular reports, including a culminating final term paper. Student interns are also expected to create a sample production reel of projects or assignments worked on in the field and to make presentations to other students concurrently enrolled in the course.

    Prerequisite(s)/Course Notes:
    1) junior class standing; 2) the successful completion of at least 6 s.h. of RTVF classes in residence; 3) GPA of 2.7 or better in the major; and 4) RTVF 164. Students must obtain approval by the department before registering. Applications, with information about deadlines, are available in the RTVF department office. RTVF 170 and RTVF 174 can be taken in combination for no more than 6 credits. No liberal arts credit.



  • RTVF 177 - Documentary Film

    Semester Hours: 3
    Every other year
    A survey of the history of documentary film combined with a study of problems facing documentary film and video makers. Theoretical issues of objectivity, narrativity, social responsibility, and film technique are underlying concerns of documentaries viewed in class.

    Prerequisite(s)/Course Notes:
    RTVF 10.



  • RTVF 178 - Film Studies Thesis

    Semester Hours: 3
    Periodically
    In this course, students will be introduced to advanced concepts in film studies, including academic research methods and historiography applicable to the study of film. Students will be expected to demonstrate a thorough understanding of the various paradigms and approaches to film study culminating in the production of a thesis paper, which must be presented for defense.

    Prerequisite(s)/Course Notes:
    RTVF 137A , 137B , 139 , 157 , 158 . May not be taken on a Pass/D+/D/Fail basis.



  • RTVF 180 to 189A-Z - Special Topics

    Semester Hours: 1-3
    Periodically
    Designed to meet the needs of individual and specific groups of students interested in special topics not covered by other course offerings. As individual subjects are selected, each is assigned a letter (A-Z) and added to the course number. Any course may be taken a number of times as long as there is a different letter designation each time it is taken.



  • RTVF 199 - Departmental Honors

    Semester Hours: 3
    Fall, Spring
    Individual research project in student’s major area, under tutorial supervision.

    Prerequisite(s)/Course Notes:
    Permission of chairperson, prior to registration, is required. Open only to majors in the Department of Radio, Television, Film who are eligible according to the criteria  , and who desire to graduate with departmental honors. Students should normally start work with their faculty adviser in the semester preceding their registration for this course.